Renowned Nigerian author Chimamanda Ngozi Adichie, a guest on News Central TV’s Literati programme, offered profound insights into the often-overlooked role of class in shaping global perspectives.
Adichie emphasised the need for more robust discussions around class, alongside race and biological sex, and highlighted her enduring interest in cross-class connections.
“I think that we often talk about race and biological sex, as we should, but I don’t think we talk enough about class,” Adichie stated. She firmly believes that “class plays a huge role in how we look at the world” and expressed her consistent fascination with the dynamics between different social strata.
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This interest is deeply embedded in her literary work, as exemplified by her acclaimed novel, “Half of a Yellow Sun.” Adichie revealed that the “soul of the book is the houseboy,” a deliberate choice that challenges conventional narrative expectations. “I think in general we don’t expect the houseboy to be the soul of a novel,” she remarked, underscoring her commitment to giving voice and depth to characters from all backgrounds.

While acknowledging her own “relative class privilege,” Adichie stressed that socioeconomic standing is often a matter of “luck” or “the good fortune of birth.”
She passionately argued against making assumptions about individuals’ abilities based solely on their class. “Just because a person didn’t have that doesn’t necessarily mean that we can make other conclusions about their abilities,” she asserted.
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Discussing the character Kajeto from her work, Adichie noted her distinctiveness due to a lack of formal education, yet highlighted a profound wisdom that, in some ways, other characters lacked.
However, Adichie was careful to avoid romanticising this wisdom, explaining, “I didn’t want to make it a kind of romanticised wisdom… because I think that also is very dehumanising.”
Ultimately, she concluded that Kajeto serves as a binding force, uniting diverse characters who, despite their differences, would set them aside for her.
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